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How to Download Jean Bottero's Book on Religion in Ancient Mesopotamia for Free



Religion in Ancient Mesopotamia: A Fascinating PDF Book by Jean Bottéro




If you are interested in learning about the religion of ancient Mesopotamia, one of the world's oldest known religions, you should definitely download the PDF book by Jean Bottéro, one of the world's foremost experts on Assyriology. In this book, Bottéro reveals the secrets of the Mesopotamian religion, based on his extensive research and analysis of documentary and artistic evidence. He shows how the ancient Mesopotamians practiced their religion in both public and private spheres, and how their religion evolved over three millennia of history. He also traces the influences that Mesopotamian religion had on Western civilization, including the Hebrew Bible.




religion in ancient mesopotamia jean bottero pdf download



What is Ancient Mesopotamia?




Ancient Mesopotamia was a region in the Middle East that roughly corresponds to modern-day Iraq, Kuwait, parts of Syria, Turkey and Iran. It is often called the cradle of civilization, because it was here that some of the earliest complex societies emerged, such as Sumer, Akkad, Babylon and Assyria. Mesopotamia means "the land between the rivers", referring to the Tigris and Euphrates rivers that shaped its geography and culture. Mesopotamia was a fertile and diverse land, where agriculture, trade, writing, law, art, science and literature flourished.


What is Ancient Mesopotamian Religion?




Ancient Mesopotamian religion was a polytheistic system of beliefs and practices that worshipped a multitude of gods and goddesses. Each deity had a specific domain of power and influence, such as sky, earth, water, sun, moon, storm, fertility, war, wisdom and justice. The Mesopotamians believed that the gods created and controlled the natural and human worlds, and that humans had to appease them with offerings, prayers and rituals. The gods were also seen as having human-like personalities and emotions, sometimes benevolent and sometimes capricious. The Mesopotamians also believed in an afterlife, where the souls of the dead resided in a gloomy underworld called Kur.


How to Download Jean Bottéro's PDF Book on Religion in Ancient Mesopotamia?




If you want to download Jean Bottéro's PDF book on religion in ancient Mesopotamia for free, you can visit the Internet Archive website , where you can find a digital copy of the book that you can read online or download to your device. You can also visit The University of Chicago Press website, where you can find more information about the book and order a print copy if you prefer.


The Main Gods of Ancient Mesopotamia




Ancient Mesopotamian religion was polytheistic, meaning that the Mesopotamians worshipped many gods and goddesses. Each deity had a specific domain of power and influence, such as sky, earth, water, sun, moon, storm, fertility, war, wisdom and justice. The gods were also seen as having human-like personalities and emotions, sometimes benevolent and sometimes capricious. The gods were often associated with particular cities or regions, where they had their main temples and cults. Some of the most important gods of ancient Mesopotamia were:


  • An/Anu: The supreme god of heaven and the father of the gods. He was the source of cosmic order and authority. He was usually depicted as a bearded man wearing a horned cap and a long robe. His main temple was in Uruk.



  • Enki/Ea: The god of water, wisdom, magic, creation and crafts. He was the patron of the arts and sciences. He was also the protector of humanity and the benefactor of civilization. He was usually depicted as a bearded man wearing a horned cap and a long robe, holding a vase with flowing water. His main temple was in Eridu.



  • Enlil: The god of air, wind, storm and agriculture. He was the king of the gods and the controller of fates. He was also the god of war and destruction. He was usually depicted as a bearded man wearing a horned cap and a long robe, holding a scepter or a mace. His main temple was in Nippur.



  • Marduk: The god of Babylon and the patron of kingship. He was also the god of light, justice and compassion. He became the supreme god of the Mesopotamian pantheon after defeating the primordial dragon Tiamat and creating the world from her body. He was usually depicted as a young man wearing a horned cap and a long robe, holding a bow and an arrow or a snake-dragon. His main temple was in Babylon.



  • Ishtar/Inanna: The goddess of love, sex, fertility and war. She was also the queen of heaven and the universe. She was the most popular and influential goddess in Mesopotamia. She was usually depicted as a beautiful woman wearing a horned cap and a long dress, holding a lion or a star. Her main temples were in Uruk and Nineveh.



  • Shamash/Utu: The god of the sun, justice and truth. He was also the judge of the gods and humans. He was usually depicted as a bearded man wearing a horned cap and a long robe, holding a saw or a sun disk. His main temples were in Sippar and Larsa.



  • Nanna/Sin: The god of the moon, time and wisdom. He was also the father of Shamash and Ishtar. He was usually depicted as a bearded man wearing a horned cap and a long robe, holding a crescent moon or a bull. His main temples were in Ur and Harran.



The Main Sources of Information about Ancient Mesopotamian Religion




Ancient Mesopotamian religion is not a single, unified system, but a complex and diverse phenomenon that evolved over thousands of years and across different cultures and regions. Therefore, the sources of information about it are also varied and sometimes contradictory. The main sources of information about ancient Mesopotamian religion are:


  • Archaeological evidence: This includes the remains of temples, shrines, altars, statues, votive offerings, cult objects, and other artifacts related to religious worship and practice. Archaeological evidence can provide information about the material aspects of religion, such as the architecture, iconography, rituals, and offerings of the gods. However, archaeological evidence can also be limited by the availability, preservation, and interpretation of the material remains.



  • Written sources: This includes the texts written on clay tablets, stone stelae, cylinder seals, and other media using cuneiform script or other writing systems. Written sources can provide information about the beliefs, myths, legends, hymns, prayers, incantations, rituals, laws, and history of the Mesopotamian religion. However, written sources can also be limited by the language, genre, purpose, audience, and context of the texts.



  • Artistic sources: This includes the representations of gods, goddesses, demons, heroes, myths, and rituals in various forms of art, such as sculpture, painting, relief, mosaic, jewelry, and pottery. Artistic sources can provide information about the appearance, attributes, symbols, and relationships of the deities and other religious figures. However, artistic sources can also be limited by the style, convention, symbolism, and interpretation of the images.



The Main Festivals and Rituals of Ancient Mesopotamian Religion




Ancient Mesopotamian religion was not only a matter of personal devotion, but also a communal and civic affair. The Mesopotamians celebrated various festivals and rituals throughout the year to honor their gods, commemorate their myths, mark the seasons, and express their gratitude for the blessings of life. Some of the main festivals and rituals of ancient Mesopotamian religion were:


  • The Akitu festival: This was the most important festival in Mesopotamia, celebrated at the beginning of the new year in the spring equinox. It lasted for 11 or 12 days and involved various ceremonies and processions. The main purpose of the festival was to renew the bond between the king and the patron god of the city, usually Marduk in Babylon or Ashur in Assyria. The king would undergo a ritual humiliation and purification, followed by a symbolic marriage with a priestess representing the goddess Ishtar. The festival also included the recitation of the Enuma Elish, the Babylonian creation epic, and the enactment of the victory of Marduk over Tiamat, the primordial dragon.



  • The Zagmuk festival: This was a winter festival celebrated in late December or early January. It marked the return of light and life after the darkness and death of winter. It also commemorated the mythical battle between Marduk and Tiamat, which was believed to recur every year. The festival involved a ritual substitution of a mock king for the real king, who would hide himself for a few days to avoid being killed by the forces of chaos. The mock king would then be sacrificed to ensure the survival of the real king and the renewal of nature.



  • The Gudaea festival: This was a harvest festival celebrated in late summer or early autumn. It honored the god Ninurta, who was associated with agriculture, irrigation, and war. The festival involved a ritual plowing of a sacred field by the king or his representative, followed by a sacrifice of animals and grains to Ninurta. The festival also celebrated the victory of Ninurta over various enemies and monsters, such as Asag, a demon of drought and famine.



  • The Ishtar festival: This was a fertility festival celebrated in late spring or early summer. It honored the goddess Ishtar, who was associated with love, sex, war, and vegetation. The festival involved various rites of sexual union between men and women, as well as between priests and priestesses representing Ishtar and her consort Tammuz. The festival also mourned the death of Tammuz, who was believed to descend to the underworld every year, causing the decay of nature. The festival ended with a ritual lamentation and search for Tammuz by Ishtar and her devotees.



  • The Nisaba festival: This was an intellectual festival celebrated in late autumn or early winter. It honored the goddess Nisaba, who was associated with writing, wisdom, and learning. The festival involved various activities related to education and scholarship, such as reciting poems, reading books, writing letters, and giving lectures. The festival also praised Nisaba for her role in preserving and transmitting knowledge and culture.



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